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COMMODE MAZARIN “AU

COMMODE MAZARIN “AU JASMIN” Height: 86 cm. Width: 132 cm. Depth: 70 cm. Paris, Louis XIV period, ca. 1710 Oak structure with “à quatre couleur” veneer in blackened pear wood, various local woods including ash and burl wood, tropical wood and ivory inlays. Fire-gilt bronze mountings. Impressive “peinture en bois” effect on blackened ground, inspired by flower and still life painters of the period such as Jean-Baptiste Monnoyer (1636-1699). It is assumed that the first commodes as a newly invented type of furniture were produced in the workshop of the cabinet-maker Renaud Goudron. They are listed in the inventories of the royal Garde-Meuble for 1693-1695. Two of the early commodes are the famous pieces with tortoiseshell and metal inlays and bronze mountings that André-Charles Boulle delivered in 1708-1709 for the king‘s Grand Trianon (Boulle described this type of furniture in 1709 still as “bureau”). Four years later the delivery of a commode with floral marquetry is attested as belonging to a relation of the Sun King, Maximilian II Emanuel, Elector of Bavaria, to his exile court at the an Compiègne Palace, where the Elector was a guest of the king. They are two pieces of furniture, which Gaudron delivered on 29 July and on 7 August 1713 to Compiègne on behalf of the director of the royal Garde- Meuble, Moïse-Augustin de Fontanieu, for the furnishing of the rooms used by the Elector. This delivery is listed in the Journal du Garde-Meuble, no. 562, as Commode de bois d‘olivier. Comparable examples: Formally similar to our commode are the following pieces of furniture: Commode, Victoria and Albert Museum. Commode, Musée du Château de Versailles (inv. no. V4655). Commode, Collection Gismondi, Paris. Commode, Musée de Cluny, Paris (inv. no. CLUNY 11762). Commode, Christie‘s, Paris, 14 - 15 December 2005, lot 115. Commode, at Richard Redding Antiques, Zurich, 2007. Commode, Artcurial, Paris, 14 December 2011, lot 15. Further pieces of furniture attributed to the Gaudron workshop: A bureau brisé, National Museum Stockholm, Auction Hôtel Drouot, Paris, 17 December 1983, lot 133. A bureau from the Collection Gismondi, Paris. A bureau formerly held at the Rothschild collection, Auction Mentmore, Sotheby‘s, 19 May 1977, lot 405. A commode formerly held at the Didier Aaron collection, Paris with a matching piece in private collection. A commode, Auction, Mes Priollaud et Lavoissière, La Rochelle, 7. March 1998. Literature: Mentmore Auction, Sotheby‘s, 19 May 1977, vol. I. (Furniture). B. Langer (ed.) Pracht und Zeremoniell. Die Möbel der Residenz München, exhibition catalogue, Munich 2002. André Charles Boulle (1642-1732). Un nouveau style pour l‘Europe, exhibition catalogue, Frankfurt, Museum for Decorative Arts, Paris 2009, pp. 153-166 (German, French and English edition 2012). C. Demetrescu, “Les Gaudron, ébénistes du temps de Louis XIV” in Bulletin de la Société de l‘Histoire de l‘Art français, 1999, pp. 33-61. T. Lusingh Scheurleer, “Pierre Gole, ébéniste du Roi Louis XIV” in The Burlington Magazine, CXXII (1980), pp. 380-94. H. Ottomeyer, P. Pröschel, Vergoldete Bronzen. Die Bronzearbeiten des Spätbarock und Klassizismus, 2 vol., Munich 1986. A. Pradère, French Furniture Makers. The Art of Ébéniste from Louis XIV to the Revolution, London, Paris 1989. M. Tillmann, Ein Frankreichbündnis der Kunst. Kurfürst Max Emanuel von Bayern als Auftraggeber und Sammler. (Passagen. Deutsches Forum für Kunstgeschichte), Deutscher Kunstverlag, Munich 2009. Id., “Le mobilier de Boulle sous le Saint-Empire. Étude de la culture du goût, à l‘exemple de l‘électorat de Bavière” in: André Charles Boulle (1642-1732). Un nouveau style pour l‘Europe, exhibition catalogue, Frankfurt, Museum for Decorative Arts, Paris 2009, pp. 153-166 (German, French and English edition 2012). P. Verlet, Le mobilier Royal français, vol. I-III, Paris 1990. Dr Max Tillmann, Munich, den 14 June 2012. € 60.000 - € 80.000 INFO | BID 34 HAMPEL ONLINE Visit www.hampel-auctions.com for around 6.000 additional images.

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  • Page 5 and 6: 2 PR EIIE ERENEUCTER Höhe: 27 cm.
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  • Page 9 and 10: 5 TERNESERETR 205 x 115 x 58 cm. Br
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  • Page 14 and 15: 8 OUESCREITISC Höhe: 75,5 cm. Brei
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  • Page 18: 9 COODE RIN U SIN Höhe: 86 cm. Bre
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  • Page 31 and 32: PR NEPOITNISCE ONSOEN Höhe: 90,5 c
  • Page 33 and 34: OUIS XVROCOODE Höhe: 87 cm. Breite
  • Page 35 and 36: UENDI ESTTETE OUIS XVONSOE Höhe: 9
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  • Page 43 and 44: PR OUIS XVUTEUIS À CSSIS 103 x 77
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  • Page 51: A PAIR OF PARIS LACQUER ENCOIGNURES
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  • Page 58 and 59: 28 PNISCER INETTSCRN Höhe: 83 cm.
  • Page 60 and 61: CSPIETISC Höhe: 76 cm. Breite: 60
  • Page 63 and 64: 33 BONHEUR DU JOUR, CHARLES TOPINO,
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  • Page 68 and 69: 37 PR PPIEN I OUIS XIVSTI Höhe: 88
  • Page 70 and 71: 39 OUIS XIVOODE Höhe: 87 cm. Breit
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    46 PRÄCHTIGE FRANZÖSISCHE OUIS XV

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    48 PR IPOSNTE DECEVSEN Höhe: 67 cm

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    PAAR FIGÜRLICH GESTALTETE TISCH- O

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    94 HAMPEL ONLINE Visit www.hampel-a

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    53 PAAR GROSSE FIGÜRLICH ESTTETE V

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    COMMODE À LA GRECQUE Height: 87 cm

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    57 ONEUR DU OUR Höhe: 93 cm. Breit

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    59 NEPOITNISCE ONSOE Höhe: 93,5 cm

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    PR EPIREPORPRDECEVSEN Höhe: ca. 57

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    63 SCTUE VON R ROENTEN Höhe: 13,5

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    65 ROENTGEN SPIELTISCH, DAVID ROENT

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    Vergleichsstücke: München, Bayeri

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    67 MUSEALE UND HÖCHST ELEGANTE TR

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    ROENTGEN SECRÉTAIRE EN CABINET, RO

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    132 HAMPEL ONLINE Visit www.hampel-

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    70 GEORGES JACOB D.Ä., U PAAR S

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    PR EENTE EPIREURIDONS Höhe: 75 cm.

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    75 TISC IT PIETR DURPTTE Höhe: 76

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    Detailabbildungen Lot 77 Translate

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    Detailabbildungen Lot 78 Translate

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    152 HAMPEL ONLINE Visit www.hampel-

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    83 ROSSE RONEVSE Höhe: 79 cm. Ital

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    86 BAROCKE STANDUHR MIT CINOISERIEE

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    87 GROSSE PRÄCHTIGE PENDULE IN OUE

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    PENDULUM CLOCK, ALSO KNOWN AS “AU

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    90 INUR RNITUR Höhe der Leuchter:

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    RNSISCE INUR VON ICEE Höhe: 30 cm.

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    94 ROSSE RTEUR Höhe: 63 cm. Ziffer

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    98 VERODETE INUR Höhe: 48 cm. Brei

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    OUIOTTE PE Höhe: 64 cm. Frankreich

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    IENER SIEREIUR Höhe: 21,5 cm. Das

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    WORKS OF ART

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    RISCE RORSUPTUR EINES ENTUR 86 x 70

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    RENT EINES IONISCEN PITES 40 x 70 c

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    RISCE RORIUR DER TTIN OR Höhe: 85

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    FRANCIS VAN BOSSUIT, RSSE STERD

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    BRONZEFIGUR DER NTIEN TTIN UNO Höh

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    EINE SPTRENISSNCETISCRONE Höhe: 7,

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    SIERREIE Ohne Rahmen: 14,2 x 16,4 c

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    RONEIUR EINER VENUS Höhe: 21,5 cm.

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    SETENER TORSO EINES ODISTTV Höhe i

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    PORPRUSS Höhe: 13 cm. Schuhgröße

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    SUPTUR DES EIIEN SESTIN Höhe mit S

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    SIERPTTE Plattenmaß: 34 x 45 cm. H

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    ROSSES ROCES EISSERECEN Höhe: 52 c

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    SION TROER UREIS DES Höher: 33 cm

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    NRN Höhe 172,5 cm. Höhe inkl. Soc

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    NTERPENER ROCINETT Höhe: 66 cm. Br

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    INETTSTCEN IT SIERESCEN 15,7 x 20,8

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    OVES RISTEDION Höhe des Kristalls:

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    HÖCHST QUALITÄTVOLLE LIMOGES- IDP

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    KLEINES ELFENBEINRELIEF DER JUNGFRA

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    VNITSSCDE Höhe: 12,5 cm. Italien o

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    RORSTE DES POO Höhe: 48 cm. Wohl F

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    OP EINER RERIN Höhe inkl. Sockel:

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    197 921 911

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    REO Höhe: 30 cm. Palermo, erste H

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    REO Höhe: 24 cm. Italien, 17. Jahr

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    DICER URSE Länge: 73,5 cm. Süddeu

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    ADOLF BAUMGARTNER-STOILOFF, IN I

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    202 PAVEL KOVALEVSKY, PFERDEWAGE

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    204 GEORGES ARTEMOFF, Der 1892 i

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    206 RUSSISCER DRESSINTE Höhe: 155

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    208 ODDOSE IT ENIUS 1,3 x 9,3 x 6,6

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    PR ERTE INITURIDNISSE ZAR PAUL I UN

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    B O X E S , MINIATURES & JEWELLERY

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    MINIATURPORTRAIT MIT EMPIRE-DAME IN

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    222 ODDOSE IT RNE UND RUNE EI 1,9 x

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    226 ISER RN II VON STERREIC Sichtma

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    233 ONVOUT VON SECS INITUREN Maxima

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    239 ONVOUT VON N INITUREN Maximal:

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    245 ODSPIRRND UND ORCIPSE Armbandl

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    249 DOUBLE HOOP DIAMANTOHRCLIPSE VO

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    254 TENRIN TRENT VON CRTIER Ringwei

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    258 TITIPERENDINTSET Länge Collier

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    TURINSCIESSE UND ORCIPSE Schließe:

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    264 ODRINTRND Länge: ca. 20 cm. Ge

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    270 ERS E C NOIR Ca. 28 x 32 x 11

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    276 SCHWERE TASCHENUHR VON UDERS RE

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    282 LIMITIERTE PANERAI FERRARI RNTU

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    CONTINUE WITH PAGE FLIP CATALOGUE I

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